Painted Lady

This is a gorgeous take on the day of the dead ladies, by Tony Ciavarro.

Day of the Dead Special: Electrical Sugar Skull

I met Mike at the end of September, but have been hanging on to this post to share today, on the Day of the Dead:


I've posted numerous sugar skulls here (click this link to see all posts tagged as such), but this one is particularly interesting due to its proximity to the tattoo below, which is the logo for the International Brotherhood of Electrical Workers (IBEW), or the electrician's union, to which the contributor belongs.



The tattoos were done by Rob Hotte at the incomparable Lotus Tattoo in Sayville, New York.

For an extra El Día de los Muertos bonus, I encourage folks to check out my old friend Mike's Day of the Dead Mariachi troupe here.

As for this post, I thank Mike for sharing his incredible tattoos with us here on Tattoosday!

*

Extra bonus material:

About 2 months ago, a reader named Leslie sent me the following blurb:

Hi! I ... sent you a link to Albuquerque's Tinta Cantina - the shop does all kinds of work but they really do a lot of Day of the Dead stuff - in particular - look under the artist Jason. I do not work there, nor am I trying to promote them - I just think that the tattoos done here in New Mexico are quite different from the interpretations you show from the East Coast and that you might find it interesting.

Thanks to Leslie for sharing this link with us here on Tattoosday!

Braaaaaaaains! (And looks, too!)

Combing two of my favourite pinup elements, ore new school loveliness in this Day of The Dead zombie girl from Douglas Billian.

Carrie Returns with Some Matrimonial Ink

As this blog has evolved from a weekly installment over at BillyBlog into a full-time appreciation of the Tattoo, I have gained an immense appreciation of the way Mexican folk art has been absorbed into the medium.

The celebration of Dio de los Muertos (the Day of the Dead) is a perfect match for tattooing, as it is associated with bright colors and what I call a "pleasant morbidity," in the form of skeletons and skulls.


Some of my favorite posts here at Tattoosday have been related to the Day of the Dead (see here and here).

So it was with great pleasure that I learned that Carrie, of the amazing ship tattoo, was sending me new ink photos, and moreso when I saw they were in the Dio de los Muertos theme.

Carrie sent a slew of photos relating to two tattoos she and her new husband, Ryan, received as a wedding gift from their friend, Evan Lindemann, who is a tattoo artist at Revolver Tattoo in New Brunswick, NJ. This is the same shop where her pirate ship was (and continues to be) inked.

The couple were married on Halloween of 2008, and honeymooned the following week, which coincided with the Day of the Dead celebrations:

"We had a masquerade ball for our Halloween wedding...our cake topper was a Day of he Dead skeleton bride and groom folk art bride and groom


and our toasting flutes were hand painted from Mexico and had day of the dead bride and groom skulls as well [see photo above]....Going to Mexico was the icing on the cake to finish out our awesome wedding....In Mexico we went to Playa del Carmen, shopped like crazy on 5th ave and ... found some beautiful Day of the Dead figurines and shadow boxes.....

For our wedding gift, ...Evan...wanted to give us a tattoo each.

We love tattoos, so it was one hell of an offer....so...we decided that I would get the Day of the Dead figurine that is the skeleton in the tux representing the groom


and Ryan would get the Day of the Dead woman figurine which represents the bride:


So, we have a piece together and they are beautiful!"

Carrie concludes, that these tattoos "symbolize our love, marriage and honeymoon".

She added that this may "sound kind of corny," but she is right when she says they are beautiful.

A belated congratulations to Carrie (and Ryan) for the marriage, and their incredibly cool (and romantic) his-and-hers tattoos. In a day and age when so many married couples tattoo each others' names on their bodies, it is heart-warming from an artistic perspective to see the level of creativity and thought that went into these pieces.

And a hearty thank you to Carrie (and Ryan) for sharing their work here on Tattoosday!

Carrie Returns with Some Matrimonial Ink

As this blog has evolved from a weekly installment over at BillyBlog into a full-time appreciation of the Tattoo, I have gained an immense appreciation of the way Mexican folk art has been absorbed into the medium.

The celebration of Dio de los Muertos (the Day of the Dead) is a perfect match for tattooing, as it is associated with bright colors and what I call a "pleasant morbidity," in the form of skeletons and skulls.


Some of my favorite posts here at Tattoosday have been related to the Day of the Dead (see here and here).

So it was with great pleasure that I learned that Carrie, of the amazing ship tattoo, was sending me new ink photos, and moreso when I saw they were in the Dio de los Muertos theme.

Carrie sent a slew of photos relating to two tattoos she and her new husband, Ryan, received as a wedding gift from their friend, Evan Lindemann, who is a tattoo artist at Revolver Tattoo in New Brunswick, NJ. This is the same shop where her pirate ship was (and continues to be) inked.

The couple were married on Halloween of 2008, and honeymooned the following week, which coincided with the Day of the Dead celebrations:

"We had a masquerade ball for our Halloween wedding...our cake topper was a Day of he Dead skeleton bride and groom folk art bride and groom


and our toasting flutes were hand painted from Mexico and had day of the dead bride and groom skulls as well [see photo above]....Going to Mexico was the icing on the cake to finish out our awesome wedding....In Mexico we went to Playa del Carmen, shopped like crazy on 5th ave and ... found some beautiful Day of the Dead figurines and shadow boxes.....

For our wedding gift, ...Evan...wanted to give us a tattoo each.

We love tattoos, so it was one hell of an offer....so...we decided that I would get the Day of the Dead figurine that is the skeleton in the tux representing the groom


and Ryan would get the Day of the Dead woman figurine which represents the bride:


So, we have a piece together and they are beautiful!"

Carrie concludes, that these tattoos "symbolize our love, marriage and honeymoon".

She added that this may "sound kind of corny," but she is right when she says they are beautiful.

A belated congratulations to Carrie (and Ryan) for the marriage, and their incredibly cool (and romantic) his-and-hers tattoos. In a day and age when so many married couples tattoo each others' names on their bodies, it is heart-warming from an artistic perspective to see the level of creativity and thought that went into these pieces.

And a hearty thank you to Carrie (and Ryan) for sharing their work here on Tattoosday!

Michael's Mariachis Celebrate Life with a Burst of Musical Color

In reconnecting with old college friends through Facebook, my old friend Michael who I haven't seen in almost twenty years sent me an amazing tattoo he has on his right arm.

He sent me before and after shots so we can see the transformation from outline to spectacularly colorful body art. First, the before shots.....



The detail and the line work is exemplary and breath-taking. As someone with a guitar inked on my arm, I can appreciate the intricacies of a finely-drawn instrument. The detail on the mariachi's jacket cuff is incredible.



And now, for some color:




Michael explains the basic premise of this tattoo:

In a sense, this piece is a "memorial" tattoo, although I hate to call it that. Since I grew up in the Southwest, Day of the Dead was a regular thing, so I've always been drawn to that type of imagery, plus I like the meaning -- honoring the dead, and reminding us to live life to the fullest. I picked the mariachis partly because I am so into music, and partly because of the celebratory aspect of mariachis.

Like many intricate tattoos with multiple elements, every part has significance. The tulips, for example, that are growing at the mariachi's feet, "are an actual heirloom varietal that I have in the garden" [and] are for my wife -- tulips are her favorite flower".



And the angel at the top of the piece (and the top of the post)?


Michael informs us that "the angel is for my mother, who is no longer with us. The angel holds a purple iris (my mother's favorite flower), and looks down over the whole scene."

This amazing piece was inked by Susan Behney-Doyle who works out of Jinx Proof Tattoo in Washington, D.C. Mexican folk art is one of her specialties (see a gallery of her work here) and Michael says he "gave her a few reference pieces to look at, but she basically drew it after a consultation". He continues, "we made just a couple tweaks after I saw the drawing, but it's a one-of-a-kind custom piece".

The whole tattoo was crafted back in 2006 over a five-month, seven-session period. Michael notes that one of those sessions was devoted solely to shading the guitar. A closer look at the instrument reveals an incredible complexity of brown variations that truly makes the guitar jump off the skin.

Michael's Mariachis Celebrate Life with a Burst of Musical Color

In reconnecting with old college friends through Facebook, my old friend Michael who I haven't seen in almost twenty years sent me an amazing tattoo he has on his right arm.

He sent me before and after shots so we can see the transformation from outline to spectacularly colorful body art. First, the before shots.....



The detail and the line work is exemplary and breath-taking. As someone with a guitar inked on my arm, I can appreciate the intricacies of a finely-drawn instrument. The detail on the mariachi's jacket cuff is incredible.



And now, for some color:




Michael explains the basic premise of this tattoo:

In a sense, this piece is a "memorial" tattoo, although I hate to call it that. Since I grew up in the Southwest, Day of the Dead was a regular thing, so I've always been drawn to that type of imagery, plus I like the meaning -- honoring the dead, and reminding us to live life to the fullest. I picked the mariachis partly because I am so into music, and partly because of the celebratory aspect of mariachis.

Like many intricate tattoos with multiple elements, every part has significance. The tulips, for example, that are growing at the mariachi's feet, "are an actual heirloom varietal that I have in the garden" [and] are for my wife -- tulips are her favorite flower".



And the angel at the top of the piece (and the top of the post)?


Michael informs us that "the angel is for my mother, who is no longer with us. The angel holds a purple iris (my mother's favorite flower), and looks down over the whole scene."

This amazing piece was inked by Susan Behney-Doyle who works out of Jinx Proof Tattoo in Washington, D.C. Mexican folk art is one of her specialties (see a gallery of her work here) and Michael says he "gave her a few reference pieces to look at, but she basically drew it after a consultation". He continues, "we made just a couple tweaks after I saw the drawing, but it's a one-of-a-kind custom piece".

The whole tattoo was crafted back in 2006 over a five-month, seven-session period. Michael notes that one of those sessions was devoted solely to shading the guitar. A closer look at the instrument reveals an incredible complexity of brown variations that truly makes the guitar jump off the skin.

Happy Skull!

..and here's the second of the day - Ridiculously good work from Nikko Hurtado

Sad Skull

First Day of the Dead pic today, done by Nate Beavers

Dead nice!

I love this day of the dead lady by Chris Vennekamp, which (i think) is based on the artwork of Sylvia Ji.

Hottie on a Hottie!

Nice Day Of The Dead tattoo from Chris Lowe, which I think is based on the artwork of Sylvia Ji.

Rad Tattoos from Nebraska

There are no defined rules for asking folks to volunteer for Tattoosday, but I have alluded to some personal guidelines, like the reluctance to interrupt people who are talking, or my tendency to select individuals who are stationary and generally alone. I have also said I will not follow people. Too creepy, generally speaking.

However, when something spectacular presents itself, all bets are off.

Friday morning, around 11:30 am, I was facing North on the southwest corner of 34th Street and 6th Avenue, on the outskirts of Herald Square, when I saw a heavily-tattooed woman across the street, walking with a guy, heading West. When the light changed, I had already decided to go take a closer look.

About half-way down the block, in front of Macy's, I caught up and without hesitation, tapped her on the shoulder and interupted her discussion with her companion. What inspired me to such boldness? Why this, dear readers:


Although not a completely finished back piece, it was breathtaking, especially if one admires quality ink. Click on the photo to enlarge. She also had tattoos running on both arms as well, neither of which I photographed.

I did my basic introduction and she was immediately receptive. Her name was Jill and she hailed from Nebraska.

After agreeing to participate, I asked her to offer me a piece that she felt most sentimental about. She had a hard time answering. I elaborated, "What one do you have the best memories about?" She selected the one I would least likely have chosen, but I was thankful that she was letting me add her to Tattoosday.

At the top of her right foot, at the bottom of the leg, she had the word "Rad" tattooed.

Jill explained that she and five friends had gone out together and each had a word inscribed on them permanently. The memory of the event clearly had an impact on her. When I asked "Why RAD?" She shrugged, "It's just a word I liked. One of my other friends had gnarly tattooed on her neck."

The tattoo was done in Omaha, Nebraska at Liquid Courage Tattoo and Piercing by the artist Jason Brown.

She said technically she only had 6 tattoos in all. She counted her 2 sleeves as one apiece. And I'm guessing she counted the back as one whole as well, despite the many components.

Well, I didn't want to take up too much of her time, standing in the sidewalk. In fact, while chatting with her, a couple stopped and the woman complimented her on her tattoos. With art like this, I'd imagine she gets that a ton!

I asked if I could take a shot of her back, she agreed. I thanked her and ambled off. I did notice when I uploaded the photo to the home computer later that the back piece still needs a little coloring which might be why she didn't offer it up right away as the tattoo I should photograph.

Of course, I want to dwell on the back a little longer. The script states "Traveler to the Grave".
I will take a stab at interpretation and attribute it as a reference to the lyrics of "How Can Anybody Possibly Know How I Feel?", a song from Morrissey's 2004 album You Are the Quarry:

But even I, As sick as I am, I would never be you
Even I, As sick as I am, I would never be you
Even I, Sick and depraved, A traveler to the grave
I would never be you, I would never be you

I also love the image on the neck, which is traditionally known as a calavera, attributed to the Dia de los Muertos, or the Day of the Dead in Latin American cultures.


The heart on the left side of the back is, I am surmising, a tribute to her grandfather. The strap of Jill's top covers up the first date partially, but I am leaning toward 1927-2004 as the span at the bottom of the heart.

Thanks to Jill for so kindly sharing her art with me! If you're reading this, Jill, and feel like sending me any shots of your sleeves, feel free to e-mail me. I hope you had a wonderful trip to New York City. Thanks for brightening my day!

Rad Tattoos from Nebraska

There are no defined rules for asking folks to volunteer for Tattoosday, but I have alluded to some personal guidelines, like the reluctance to interrupt people who are talking, or my tendency to select individuals who are stationary and generally alone. I have also said I will not follow people. Too creepy, generally speaking.

However, when something spectacular presents itself, all bets are off.

Friday morning, around 11:30 am, I was facing North on the southwest corner of 34th Street and 6th Avenue, on the outskirts of Herald Square, when I saw a heavily-tattooed woman across the street, walking with a guy, heading West. When the light changed, I had already decided to go take a closer look.

About half-way down the block, in front of Macy's, I caught up and without hesitation, tapped her on the shoulder and interupted her discussion with her companion. What inspired me to such boldness? Why this, dear readers:


Although not a completely finished back piece, it was breathtaking, especially if one admires quality ink. Click on the photo to enlarge. She also had tattoos running on both arms as well, neither of which I photographed.

I did my basic introduction and she was immediately receptive. Her name was Jill and she hailed from Nebraska.

After agreeing to participate, I asked her to offer me a piece that she felt most sentimental about. She had a hard time answering. I elaborated, "What one do you have the best memories about?" She selected the one I would least likely have chosen, but I was thankful that she was letting me add her to Tattoosday.

At the top of her right foot, at the bottom of the leg, she had the word "Rad" tattooed.

Jill explained that she and five friends had gone out together and each had a word inscribed on them permanently. The memory of the event clearly had an impact on her. When I asked "Why RAD?" She shrugged, "It's just a word I liked. One of my other friends had gnarly tattooed on her neck."

The tattoo was done in Omaha, Nebraska at Liquid Courage Tattoo and Piercing by the artist Jason Brown.

She said technically she only had 6 tattoos in all. She counted her 2 sleeves as one apiece. And I'm guessing she counted the back as one whole as well, despite the many components.

Well, I didn't want to take up too much of her time, standing in the sidewalk. In fact, while chatting with her, a couple stopped and the woman complimented her on her tattoos. With art like this, I'd imagine she gets that a ton!

I asked if I could take a shot of her back, she agreed. I thanked her and ambled off. I did notice when I uploaded the photo to the home computer later that the back piece still needs a little coloring which might be why she didn't offer it up right away as the tattoo I should photograph.

Of course, I want to dwell on the back a little longer. The script states "Traveler to the Grave".
I will take a stab at interpretation and attribute it as a reference to the lyrics of "How Can Anybody Possibly Know How I Feel?", a song from Morrissey's 2004 album You Are the Quarry:

But even I, As sick as I am, I would never be you
Even I, As sick as I am, I would never be you
Even I, Sick and depraved, A traveler to the grave
I would never be you, I would never be you

I also love the image on the neck, which is traditionally known as a calavera, attributed to the Dia de los Muertos, or the Day of the Dead in Latin American cultures.


The heart on the left side of the back is, I am surmising, a tribute to her grandfather. The strap of Jill's top covers up the first date partially, but I am leaning toward 1927-2004 as the span at the bottom of the heart.

Thanks to Jill for so kindly sharing her art with me! If you're reading this, Jill, and feel like sending me any shots of your sleeves, feel free to e-mail me. I hope you had a wonderful trip to New York City. Thanks for brightening my day!